Monthly Archives: February 2015

OAK AROUND THE WORLD

What does one do while on a long train from Varna to Skopje? Simple, drink wine. It is unfortunate that as a linguist, I do not speak either Bulgarian or Macedonian. Elena is often quick to remind me that since I speak Ukrainian, it would not be a huge leap to learn the lingua franca of Macedonia.

Settling back with a glass of Mavrud, I sensed something quite distinctive. Over the years I have consumed more than my share of this delectable wine, and Bulgarian winemakers claim the secret is in the oak barrels. What is it that is so distinctive about Bulgarian oak?

However, before we answer the question of Bulgarian oak, it is imperative we gain a better understanding of the importance of oak in winemaking. Throughout most of antiquity most wines were fermented in large amphorae jars. Legend has it that when Julius Caesar conquered Gaul, he found that the Celts were aging their wines in oak barrels. Not only was it a more practical way to transport wine in this fashion, the Romans found the softer tannins, distinctive aromas and flavors quite suitable to their palates. Like most legends, there is probably more than a modicum of truth to the tale. Regardless of the accuracy, I enjoy the story.

The best wines in the world have been oak-aged in some way. Oak is a crucial, yet often overlooked component in making wine. Everything from type, size, age, grain, and treatment of an oak barrel, greatly affects the finished wine.

What exactly does aging wine in oak add or change the characteristics of the wine? To begin with, oak naturally adds aromas of coconut. By heating or burning oak, different aromas can be achieved. These include, vanilla, notes of spice and clove, caramel and sweet aromas, and finally, charred and smoky aromas. It is important to note that oak barrels are a renewable resource. After the first 2-3 uses, an oak barrel stops flavoring wine and is considered neutral. They are, however, a great way to store wine as they easily last up to 100 years.

First up, Eastern European Oak. Given the high quality of oak wood found in the Balkans, Eastern European barrels have had an esteemed history. During the 18th and 19th centuries when the Balkans were under the rule of the Austro-Hungarian Empire, Balkan oak barrels were known as “Bosnian Hand Split.” This was because coopers of that era combined oak from two different regions of the Balkans, essentially north and south. The rationale was that they could produce a superior barrel, and save on the cost.

 Bulgarian, or Balkan Oak, as it is also known, ranks among the finest in the world. In Europe, two types of oak are popular in winemaking. Coopers prefer either fine-grained, sessile oak or wide-grained, robur oak, which is most commonly found in Russia. Typically, sessile is viewed as superior because of its tight grain. This type of oak also imparts a softer taste into the wine with a higher level of olfactory characteristics. The tannins of Bulgarian oak are soft and deep and very similar to those found in French oak. Since sessile oak trees grow at a much slower rate, this contributes to the flavor characteristics of the wood. Another plus is that sessile oak trees dot the Bulgarian landscape. In turn, companies producing wine barrels, are able to keep prices down.

Anyone who knows my palate is aware of my passion for Georgian wine. What about the robur oak that grows throughout the Caucasus Mountains? Barrels primarily used in Georgian winemaking create moderate tannin and softer aromatics. This type of oak is perfect for those winemakers who desire to produce fresh and mineral wines with good structure. In contrast, the robur oak found in Russia works well to create more elegant and sweet aromas. Russian robur oak has recently begun to find a rising interest with some Spanish winemakers.

In Central Europe, Croatia and Hungary are held in high esteem for their production of excellent oak barrels. The most prestigious of these areas is the northeastern Croatian region of Slavonia. The oak barrels produced in this area are highly regarded by the international wine community. This quality oak has found particular favor with the Italian winemakers of Piedmont. This tradition dates back to the ancient Romans who highly prized the oak of this region, which they knew as Pannonia. What is it that has made the oak of Slavonia so long desired? The wood is known for its tightness, and the local coopers’ preference for larger barrels. This stems from their belief that larger barrels are much better to impart more subtle flavors and softer tannins. 

Hungarian oak, by contrast, is popular with those winemakers who prefer full-bodied varieties such as Malbec and Petit Verdot. Their belief is that the wines are strong enough to hold up to the richer nutty flavors the wood imparts on the finished wine. In fact, many winemakers consider Hungarian oak remarkably similar to French oak, yet at a fraction of the cost. A fact that has been brushed aside in France is that up until the early 20th century, Hungarian oak had found great favor with French winemakers. 

In the United States there are many types of oak trees, with white oak prevailing with cooperages. White oak abounds throughout the eastern states, Virginia, Kentucky, Missouri, and Oregon. Most American cooperages are in fact producing barrels for the Bourbon and Scotch industry. Though there is more than adequate demand for American Oak from winemakers, it pales in comparison with the demand by whiskey distillers.

Winemakers who prefer to work with American oak agree that it adds considerable amounts of flavor and higher tannin to the wine. Another big plus is that American oak adds a degree of ruggedness to the clean fruit forward wines that are primarily produced in California. This school of thought is that such traits are desirable for aging powerful and robust wines. Lastly, American Oak tends to have looser grain widths than the oaks of France and the rest of Europe. This results in more vibrant aromas of vanilla and oak. The mouth feel is also more on the aggressive side.

As with the USA, the forests of France flourish with a variety of oak, including White Oak. Many winemakers consider the oak that is indigenous to France to be superior due to its finer grains and consistent wood. The oak that grows in France is reputed to be more suitable to soak up flavors and characteristics while aging. In part, this is because French oak contributes more tannins and flavor components, and less “oaky” flavor and aroma than American oak.

For me, oak is of course a highly contributive factor, however, other considerations also come into play. Let’s not rule out grape varietal, the winemaker, and of course, terroir. In the end, it all boils down to palate.

On a different note, many winemakers have a penchant for aging wines in other woods such as acacia and cherry … “But that my friends is a different story … “

UKRAINIAN BRANDY: A NOBLE TRADITION

Today I am in the heart of Kyiv, the bustling capital of Ukraine. This is now my home and  I love this grand city. Kyiv is one of the oldest and most beautiful cities in Eastern Europe. The city has existed since the 5th century, and has long been established as an important commercial center. It is said that the name is derived from one of the city’s four legendary founders, and means “belong to Kyi.” There is also a legend that Saint Andrew ventured to the area and with him, he bought Christianity to the Slavic peoples. Since the Middle Ages, Saint Michael has long since represented the city and the duchy.

From the elegant and stylish Opera Hotel, I am joined by fellow sommelier, and very special friend, Elena Boiko. Elena chose the hotel’s fashionable international Bellini’ Bar for our tasting.

“Not only is Bellini’s a popular haunt for Kyiv’s posh notables,” Elena flashed me a quick smile. “They boast an extensive selection of cigars.”

“Ok,” I laughed lightly. “But neither of us smoke.”

“Larisa,” we both erupted euphorically. We have a mutual friend by the name of Larisa who loves to smoke cigars.

“Especially when she drinks brandy,” Elena was quick to add.

“We should have invited her.”

“She went to Lviv for the week,” Elena’s tone of voice took on a dreamy quality. “This is my favorite city in Ukraine. It is so beautiful and so Western European.”

The city of Lviv borders both Poland and the Carpathian Mountains, the fabled lair of Count Dracula. As far back as the 13th century Lviv was the capital of the Kingdom of Galatia-Volhynia.

“On that note, I am ready to enjoy some brandy,” Elena flashed me an eager smile.

“Budimo,” I toasted her.

“Grisha,” Elena smiled assuredly. “Your Ukrainian accent is coming along quite nicely.

“Dyaku yoo, thank you.”

Our first selection was from the Crimean based company, Koktebel. Elena had selected their 25 year old VIP brandy, “Kutuzov Speciale.” Koktebel is known for their French style spirits according to traditional brandy-production techniques. What makes their brandy unique is the volcanic soil in and around the Fedosia area, where Koktebel is based. The alcohol content is 40%. In appearance, our Koktebel is amber with golden highlights. On the nose, our Speciale was just that. This is definitely a memorable spirit. There is a complex, delicate aroma with distinctive tones of both chocolate and vanilla. On the palate, it is rich, full, and harmonious. The finish is smooth and enjoyably long.

“This is definitely a brandy whose unique qualities can only be fully appreciated by the connoisseur,” Elena’s tone was one of delight.

“Precisely,” I concluded in agreement. “I especially enjoyed our Kutuzov Speciale. I found it complex, yet not overpowering. All in all, a very easy brandy to drink.

Our next selection was a Tavria Imperial Tavria is categorized as Alambic brandy. This process of alcohol distillation was first created by the Chinese some 5,000 years ago. The notable difference is a small opening in the top of the of the pot known as the “Alambic Vase.” Basically this is done to split various liquids boiling points. Tavria Imperial is then aged for 25 years using the Single-Barrel Aging method. The resulting alcohol content is 40%. In appearance, the Imperial is a rich dark gold. The nose is filled with an array of spices, chocolate, and cigars. On the palate, the Imperial is complex and elegant, with a very smooth and long finish.

“What I like most about Tavria Imperial is that it combines majesty and mystery along with delicacy and nobleness,” Elena said lavishly.

“I concur,” giving a nod of approval. “Tavria Imperial exemplifies all that is Ukrainian brandy. It is very old, and a treasure in its own right.”

Our final selection was a Klinkov XO and from their “Family Collection.” This is an exceptionally refined style of brandy with an alcohol content of 42%. The Klinkov family migrated from Bulgaria to Ukraine and quickly established themselves as premier winemakers. Radostin Georgiev Klinkov is considered by many in the CIS (Commonwealth of Independent States) to be the grandmaster of brandy production.

On appearance, Klinkov XO is a dark amber in color. On the nose, there is a strong bouquet of fruit and walnut, which is often distinctive to this part of Europe. On the palate, there is an enveloping and pleasant taste of of nut. The finish is smooth and soft.

“I found our Klinkov XO very soft and elegant on my palate,” Elena paused to collect her thoughts. “I think this is a brandy that will appeal more to women.”

“Agreed,” I nodded lightly. “Although I do not object to such a refined style of brandy, I prefer a bit more complexity.”

“Yes,” Elena was quick to agree. “I also prefer my brandy a bit more robust.”

“I would also add a note of caution.”

“How so?” Elena queried.

“THe higher alcohol content will creep up on you,” I gave her a furtive wink.

“Grisha, Grisha, Grisha,” she chuckled softly. “You are incorrigible, but correct.”

“The cigar smoke is beginning to take its toll,” I coughed lightly. “I think it’s time to make a move.”

“I could go for a moonlight stroll along the river,” Elena smiled demurely.

“But that my friends, is another story … “

DON’T PASS UP THE PINK CHAMPAGNE

James Bond strode briskly into the Le Louis XV Restaurant of Monte Carlo’s Hotel de Paris. Once his eye caught sight of chef Alain Ducasse, Bond called for his attention.

“Yes, Monsieur Bond,” he flashed a quick nod. “How may I be of service?”

“Alain, am I correct when I say that a friend of mine, Monsieur Gregory Alonzo is a guest of the hotel, and will be dining in this evening?” Bond queried.

“That is correct, Monsieur,” he paused to collect his thoughts. “Monsieur Alonzo is expecting a young lady at 8 PM.”

“What did he order as a main course?” Bond was quick to inquire.

“The quail, sir.”

“But of course,” Bond smiled as he paused to collect his thoughts. “Alain, please send my friend, along with my compliments, a bottle of 2004 Grande Annee Rosé.”

“Bill it to your suite?”

Bond flashed an even grin as he tipped his favorite chef  a 100 Euro note. “But of course.

If you don’t have a friend like 007, and you are not comfortable with the $200 bottle price of the 2004 Grande Annee Rosé, or have my imagination; today we will cover four exceptional Rose Champagnes and all with a bottle price under $50.

One of the beauties of Rose Champagne is its versatility. Due to its depth of flavor, along with plenty of acidity, Rosé Champagne has a definite affinity for food. This style of wine can also be served as an aperitif, or paired with most fruit, cheeses, and all desserts.  Rose  Champagne brings to the table its own special allure. Romance quickly comes to mind upon first sight of a bottle of this pinkish-red wine, but of that, you are already aware.

Rosé Champagnes are produced in one of two methods. The traditional method calls for the addition of a small amount of Pinot Noir to be added to the cuvee prior to the second fermentation. The skin contact method (maceration), is a viable alternative. This method involves the pressing of grape skins as they soak in their juices prior to fermentation.

The Rosé Champagnes we will be reviewing today are all non vintage. This means they are composed of different vintages rather than a single harvest.

Up first, NV Jean Vesselle Rosé des Saignee Brut. In the glass, this Champagne is much darker than most Rosé wines. The dark coloring also adds an air of mystery as the wine’s stream of beads beckon you to have a taste. On the nose, there are aromas of lush red berries, filling the bouquet with cranberry and strawberry. The palate is most pleasant. There are noticeable flavors of raspberry and strawberry, followed by ever so subtle hints of mushroom, and a tad of earthiness. Over all the wine is well balanced and elegant, yet not losing any of its intensity. The finish is very long and memorable. Since Rosé Champagnes tend to be more full-bodied as they are predominantly Pinot Noir, and this makes this style of wine more food friendly. The alcohol content is 12% with a bottle price of $25.

Up next, Paul Louis Martin Bouzy Rouge. This fine Rosé  Champagne is 100% Pinot Noir. In the glass, the wine is a brilliant red striated by copper colored hues. Though dark in color, the Bouzy Rouge is in fact lighter than a typical red wine. The nose is filled with an array of dense fruit that is accented by violets, and a wisp of earthiness. The palate is well structured with good tannins. The wine is fresh with flavors of blackberry evident. To add to the allure of this elegant wine, there are notes of licorice and spice. The finish is long, clean, and seductive. The alcohol content is 12% with a bottle price of $26.

For our next wine, we are going to swing the pendulum. Alain Bailly Brut Rosé is a very different style Rosé from the first two reviewed. This Champagne is a blend of 80% Pinot Meunier and only 20% Pinot Noir. In the glass, the wine is lively and sparkles with a steady flow of beads. The nose is fresh and filled with the lush aromas of raspberry and strawberry which carry onto the palate. Fruity and lively, this charming sparkling wine is an excellent choice for parties or when friends drop by for a visit. Elena always ensures that we have a bottle on hand just for those occasions. It is also a particular favorite of her girlfriends. The alcohol content is 12% with a bottle price of $28.

Our last wine, NV Collet Brut Rosé is one of my favorites. It is a blend of 60% Pinot Noir, 30% Chardonnay, and 10% Pinot Meunier from 15 different crus. From the heart of the Champagne region, Collet has been producing Champagne since 1921. In the glass, the wine is an enticing raspberry-pink in color. The wine’s beads are fine and persistent. On the nose, the Collet is fruity and fresh, with soft aromas of honey, cinnamon, and followed by the delightful scent roses. On the palate, this elegant wine truly comes to life. It is well rounded, creamy, with delicious notes of light strawberry and spice. The finish is clean with a delightful light strawberry aftertaste. Overall, its unique flavor is indicative of Collet’s select winemakers. This Brut Rosé is fine to cellar for the next 2-3 years. The alcohol content is 12.5% with a bottle price of $45.

Whether you are planning a meal or dessert, this food friendly wine is almost impossible to make a wrong match. Take my advice and don’t pass up the pink Champagne.

Speaking dessert, I just heard Elena come in. She went to the bakery for pasties and now I need to check if our Rosé Champagne has been properly chilled.

“But that my friends, is a different story … “

CHAMPAGNE STEMWARE: FLUTES, TULIPS, COUPES, AND MARIE ANTOINETTE’S BREASTS

“The weather outside is frightful, but inside it’s so delightful,” oops, that’s been done before. Speaking of having been done before, I was going to write an article on wine glasses. However, I defer to my friend, and colleague, Rusty Sly. He has a must read  article in our archives entitled, “A Glass is a Glass … Or is It?” Today we will review the appropriate stemware when drinking my favorite wine, champagne.

From my 5th floor pied-a-terre, I have a wonderful view of the city of Kyiv.  The winter snows are alabaster white while striated with gold and magenta hues from the setting sun. The sensation is magical, and transcends the soul to a simpler and more peaceful time. My long time friend and fellow sommelier, Elena Boiko, and I have concluded that it is too cold to drink anything but champagne.

Our selection is a champagne that I have not reviewed since we began this series. Pommery is definitely one of mine and Elena’s favorites. What sets this premier champagne house apart, is not only the cultivation of some of the finest grapes, arguably the best vintners, it is the procurement of a network of crayeres. What are crayeres? Located in France, this is a subterranean limestone-chalk series of networks built under Reims. The cayeres date back to the Romans during their occupation of Gaul. It is in these legendary caverns that the most remarkable vintages of Pommery gained their distinct qualities. Pommery notably stores more than 20 million bottles to maturity, some 100 feet below the surface. Another characteristic of the fabled champagne house is their belief that a constant temperature of 12.222 degrees Fahrenheit is the perfect  temperature to store the wine of “kings and lovers.”

What then is the most appropriate way to serve so delectable a wine? It has become  popular to serve champagne in a tall narrow glass known as a flute. This design is of the utmost importance. The stem allows the drinker to hold the glass so that the natural warmth of the hand, does not affect the wine’s temperature.

The bowl of the flute is of equal importance. It should be long and narrow and it’s purpose is to retain champagne’s signature bubbles. To prevent the loss of carbonation, the opening is smaller than is typical of a white wine glass. The popularity of today’s dryer champagnes is also a factor. The flute perfectly dispels the appropriate amount of fragrance, while best maintaining the wine’s natural carbonation.

Since Champagne is a wine, it is often served in a white wine glass. One school of thought is that the “tulip” or “belly” style glass, permits the drinker to enjoy more of the wine’s aroma than is possible with the flute. These connoisseurs feel that the since the tulip glass has a broader mid-section, yet with a narrow opening, it thereby  prevents a brisk loss of carbonation. With the tulip glass, it is believed that the drinker is permitted to enjoy the champagne to it’s fullest extent.

The coupe is interesting not only in shape, but the myths that surround this style of champagne glass. To begin with, the coupe is a shallow-broad-bowled stemmed glass. Ever popular at wedding receptions, the coupe is often stacked in layers building a champagne tower. The tales surrounding the coupe are endless. Many believe that the design was modeled on the breast of Marie Antoinette, while others claim it folly to believe such a myth. They believe the glass was actually designed on the breast of Josephine de Beauharnais, the first wife of Napoleon Bonaparte. Finally, other disclaimers dispel these fallacies and believe the the coupe style glass was from the breast of Madame de Pompadour, who was affectionately known as “The coupe de champagne.”

So who’s breast was actually used in the creation of this fabled glass? No one knows for sure if a woman’s breast was used at all. One fact is certain. The coupe glass was designed in England in 1663, and it was designed especially for champagne. During this period, champagnes were much sweeter. Perhaps the broad open surface was thought to enhance the wine’s fragrance.

The 1930s were the heyday of the coupe. Made famous by Chicago’s famed Stork Club, the coupe enjoyed unrivaled popularity through the 1960s.

“I must admit,” Elena’s eyes crinkled softly. I honestly thought the coupe was named for Madame Pompadour.”

“If anyone deserves a champagne glass made in their honor,” I paused for effect. “It is Madame Pommery.”

“She is responsible in part, for recognizing the potential popularity for dryer champagnes,” Elena was quick to agree. “We should design a glass and call it … ”

“The Queen of Fizz,” I broke into laughter.

“Grisha, stop playing and let’s drink some champagne,” Elena’s tone was filled with anticipation.

“But of course,” I flashed her an even smile. “We must not let these strawberries go to waste.”

“Will you do the honors of making a toast?” Elena queried.

“Za tse momen ya kri shi ne nastav, To this moment and the moment yet to come,” I gave her an almost suggestive wink.

Elena has a penchant for Pommery Champagnes. She decided on a 1999 Pommery Cuvee Louise. It is 60% Chardonnay and 40% Pinot Noir. This is an alluring wine whose natural elegance will seduce you. True to its name, I found our wine quite delicate, almost to the point of being wispy. Overall a lovely champagne and definitely worth the $125 price tag.

“I especially like the soft aromas on the nose,There is a certain freshness about our Cuvee Louise,” Elena’s expression was one of sheer delight.”

I nodded in agreement. “I like the wine’s silkiness on my palate,” I paused to collect my thoughts. “Our Cuvee Louise is also full and fruity, as well as balanced.”

“I am pleased that you enjoyed my selection,” Elena’s face filled with a wide beaming smile. “Grisha, I just realized that we failed to mention some of the innovations and novelties in stemware.”

“But that my friends is another story …”